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Shiva Feshareki is an internationally acclaimed experimental composer, NTS radio DJ and turntablist. Her diverse output explores acoustics, perspective and the sound of electricity through wide ranging practises that incorporate classical methodology. In 2017, she was honoured with the British Composer Award for Innovation from BASCA.  

Her solo turntable performances fuse together sonic palettes using hyperphysical sampling techniques. Cuts from drum and bass, garage, gabber, deep minimalism and classical orchestral works are yielded to create complex live compositions that are as kinetic as they are delicate.  

Her compositional work for orchestra is equally transformative, exploring the physicality of sound in relation to light, sculpture and movement. ’GABA-analogue’ (2017) employed space as a compositional tool to create a surround-sound orchestra inside London’s Printworks nightclub. An alternative form of the composition was also presented at Musikhuset, Denmark; both pieces engaged with sound as both a ‘sculpture in space’ and as a ‘medium bending through time’.

Feshareki obtained a Doctorate of Music from the Royal College of Music and her experience as researcher was central to her work on ‘Still Point’ by Daphne Oram (1949). The extraordinary story behind the project began with the discovery of the incomplete composition nearly 70 years after if had been rejected by the BBC, where Oram worked as a sound engineer. Shiva Feshareki and fellow composer James Bulley completed the radical composition, originally written for turntables, double orchestra and five microphones. The story culminated with its world premiere at the BBC Proms in 2018, performed by Feshareki and the London Contemporary Orchestra at the Royal Albert Hall - the venue for which it was originally composed.  

Other recent performances include Saturnalia (Milan), Hyperreality Festival of Club Culture (Vienna), Moscow Museum of Modern Art for the VAC Foundation (Moscow), Mutek (Montreal), The Tanks at Tate Modern (London), Southbank Centre ‘Concrete Lates’ Takeover (London) and Nikolaj Kunsthal (Copenhagen) as part of Haroon Mirza’s installation Dancing with the Unknown.  

Upcoming major works include a commission from the BBC Concert Orchestra: a brand new composition for solo turntables and orchestra to be premiered at the Queen Elizabeth Hall during The EFG London Jazz Festival (late 2018). She will also be the Featured Composer at London’s Spitalfields Festival in December 2018, where she will be showcasing another new score, revisions of ‘GABA-analogue’ and ‘O’ and a new interdisciplinary collaboration with artist Haroon Mirza. 2018 will also see the exciting release of her debut album on ‘RESIST’ as well as a special release on Ash Koosha’s new record label ‘Realms’.

Shiva Feshareki will also be the Featured Composer at London’s Spitalfields Festival in December 2018, where she will showcase a new score alongside revisions of ‘GABA-analogue’ and ‘O’, as well as a new interdisciplinary collaboration with artist Haroon Mirza. The festival will also feature a special night that brings Feshareki’s regular NTS radio show - NEW FORMS - to a live audience in the form of turntable reimaginations of Stravinsky’s ‘Firebird Suite’.

More information and a list of upcoming dates can be found

Biography by Alec Curtis.